IF YOU CHOOSE to believe me, good. Now I will tell how Octavia, the spider-web
city, is made. There is a precipice between two steep mountains: the city is over
the void, bound to the two crests with ropes and chains and catwalks. You walk
on the little wooden ties, careful not to set your foot in the open spaces, or you
cling to the hempen strands. Below there is nothing for hundreds and hundreds
of feet: a few clouds glide past; farther down you can glimpse the chasm’s bed.
This is the foundation of the city: a net which serves as age and as
. All the rest, instead of ri, is hung below: rope ladders,
hammocks, houses made like sacks, clothes hangers, terraces like gondolas,
skins of water, gas jets, spits, baskets on strings, dumb-waiters, showers,
trapezes and rings for children’s games, cable cars, chandeliers, pots with
trailing plants.
Suspended over the abyss, the life of Octavia’s inhabitants is less uncertain
than in other cities. They know the net will last